2021 Reviews — Teatro Nuovo

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Cutting-edge reinterpretation of Bel Canto opera, with an approach that delves deep into historical style and a full period-instrument orchestra.

2021 Reviews

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2021 Reviews

New York Times

With Fresh Subtlety, Opera Returns to New York City

Operawire

Teatro Nuovo 2021 Review: Il Barbiere di Siviglia

The New Criterion: The Critic’s Notebook

July 2021

Financial Times: Review

July 2021

360 Mag: Teatro Nuovo’s The Barber of Seville

July 2021

Blog Critics: Teatro Nuovo’s ‘The Barber of Seville‘ Outdoors at Lincoln Center

July 2021

The Observer: Opera Returns to Lincoln Center, Thanks to Teatro Nuovo’s Loving Skill

July 2021

AM NY

July 2021

Parterre: Rossini al fresco

July 2021

Voce di meche: Something for everyone

July 2021

Schmopera: Smiles of a Summer Night: Barber Brings Live Opera Back to New York

August 2021

Indie Opera: Review: The Barber of Seville

August 2021

Gay City News: Opera Returns: Uplifted Voices Reawaken a Silenced City

August 2021

Musical America: A Fresh, Historically Astute Barber in Damrosch Park

August 2021

The Theatre Times: The Barber of Seville

September 2021

Opernwelt: Brillantes Comeback

September 2021

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Teatro Nuovo

Teatro Nuovo

A note from
Will Crutchfield

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Artist Profiles

Ricardo José Rivera, baritone

Ricardo José Rivera, baritone

Teresa Castillo, soprano

Teresa Castillo, soprano

Christopher Bozeka, tenor

Christopher Bozeka, tenor

Alexsandra Loutsion, soprano

Alexsandra Loutsion, soprano

Martin Luther Clark, tenor

Martin Luther Clark, tenor

Owen Phillipson, bass

Owen Phillipson, bass

Abigail Raiford, soprano

Abigail Raiford, soprano

Abigail Lysinger, mezzo-soprano

Abigail Lysinger, mezzo-soprano

Record of the Week

Record of the Week 2

Image 3 - Huguet - Colored photographic portrait.jpg

60 - La Perla de Barcelona
Josefina Huguet

Image 1 - Mishkin publicity photo, c. 1932.jpg

59 - Missing in Action
Grete Stückgold

image 1 - Reinald Werrenrath in 1917.jpg

58 - Even Bravest Heart May Swell
Reinald Werrenrath

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57 - Mr. Goddard, et al.
Emilio de Gogorza

Image 2 - Henry T. [Harry] Burleigh - Detroit Public Library.jpeg

56 - Black Lives
Roland Hayes, Henry T. (Harry) Burleigh, Florence Cole-Talbert, Antoinette Garnes, C. Carroll Clark, and Anita Patti Brown

image 2 - Ria Ginster - HMV Records publicity photo, 1934.jpg

55 - Pseudo-Baroque
Ria Ginster, H. Lane Wilson

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54 - Rossini mezzo
Eugenia Mantelli

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53 - The Good Mr. Widdop
Walter Widdop

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52 - Il vascello fantasma
Alberto Caffo, Emilia Corsi

Image 2 Gabrielle Ritter-Ciampi, undated publicity photo.jpeg

51 - Like a Rock
Gabrielle Ritter-Ciampi

image 1 - Mme. Adami, Edward Lloyd, Wm. E. Whitehouse recording in 1907.png

50 - Relaunch and Updates
Edward Lloyd

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49 - Dúo
Alfonso Ortiz Tirado and Pedro Vargas

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48 - Truth Meets Fiction
Sigrid Onegin

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47 - The Composer’s Voice
Samuel Barber and Reynaldo Hahn

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46 - Brillante
Antonio Pini-Corsi

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45 - A Bass for the B-Team
Guido Cacialli

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44 - Yankee Diva
Lillian Nordica

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43 -La Bori
Lucrezia Bori

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42 - Staying Power
John Forsell

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41 - Strong Light
Tito Schipa

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40 - Trivia
Sutherland and Fischer-Dieskau

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39 - Strings, Attached
Various string quartets

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38 - Contralto
Louise Homer and other contraltos

image 1 - Klingler Quartet around 1930.jpg

37 - Special info
The Klingler String Quartet

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36 - Strength and Adversity
Albert Vaguet

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35 - A Tenor for Christmas
Evan Williams

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34 - They Could Do That
Edoardo Garbin

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33 - What Does She See In Him?
Mario Laurenti

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32 - Make the movie already!
Medea Mei-Figner

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31 - The Oldest Voice
Peter Schram

Varia

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Mehmed the Conqueror, the Historical Maometto

Authentic Historical Performance Practice for Audiences

Authentic Historical Performance Practice for Audiences

The Guilty Magpie?

The Guilty Magpie?

Discussion with Will Crutchfield, Jonathan Brandani, and Jakob Lehmann - Part 1

Faculty Interviews

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Listening to Ancient Voices

About Giuditta Pasta

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Who was Tancredi?

What happened to the conductor?

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The first operatic pop tune?

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